That may change over time, of course, as we find the undulating effects of a nomadic marksman drifting through life in search of those endless possibilities. The three albums released in quick succession this month, Life Ain’t Worth the Drown, Secondhand Failures and Rusted Lung, arrive more by coincidence than design. From every riff that rings off his guitar to every drone oozing out of the speaker like a weeping wound, you can simply feel the weight moving through you at speed. This is music that’s born from the scars of moments lived. Conley creates earthy textures that aren’t just on the street level. Aggression wrestling with tenderness in a strange juxtaposition, which ultimately illuminates the realities of life.Īnd that’s the thing about this project. Cinematic curls of smoke as Americana meanderings and the celestial rush of tonality combine as drone like no other. It’s a vibe, but there is a method to the madness.Ĭonley’s song titles mirror the story of his bruising compositions. Cosmic wanderings induced with acidic tonality, this is drone for drinking spirits alone in the corner of smoke-filled bars. The droneroom story is one of the most fascinating since we opened the doors here at Sun 13. An unspoken telepathy of sorts that generally shakes out over time the more you communicate with someone, I guess. Conley and I communicate randomly over email, and as I was thinking of reviewing the three albums together, in the midst of composing a missive outlining this proposal, Conley had beat me to the punch, suggesting exactly the same thing. Roll the calendar forward six weeks, and April doesn’t just greet us with one new droneroom release, but three – all of which land in the space of a week. Yes, one doesn’t need a specific day of the year to profess love to their significant other, and regardless of the day, it’s evident that Conley will keep on droning, whatever the day or occasion may be. After all, this is an artist who released a Valentine’s Day cassette the day after the event (the fantastic You Drown Out the Crowd via Histamine Tapes). Having recently moved from Las Vegas to Tacoma, Washington, the Certified Kentucky Colonel (no bullshit, I’ve seen the documentation) has always operated outside the scope of conventionality. We all have these moments with artists and certain records, and Don’t Mistake my Enthusiasm for Impatience is among the few for me which occupy this space. From a personal point of view, during one of the more harrowing periods post-COVID, this album proved to be one that will stay with me forever. Those who frequent these parts will have a rough idea about Blake Conley’s droneroom project.Įarlier this year, having featured alongside Cincinnati experimental guitarist Pete Fosco as Rabbit Hash, the pair gave us their stunning debut LP, Don’t Mistake my Enthusiasm for Impatience.
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